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As a conceited scholar of the Ming Dynasty, Wei Yangsheng believes that
since life is short, one should pursue the ultimate sexual pleasure as
time allows. Wei Yangsheng encounters Tie Fei ...
Director:Christopher Sun Lap Key
Writers:Stephen Shiu (screenplay), Mark Wu (screenplay)....
Stars: Hiro Hayama, Leni Lan Crazybarby, Miyavi Matsunoi
Storyline :
As a conceited scholar of the Ming Dynasty, Wei Yangsheng believes that since life is short, one should pursue the ultimate sexual pleasure as time allows. Wei Yangsheng encounters Tie Fei the Taoist priest's daughter, Tie Yuxiang, on an occasion. With the former's talent and the latter's beauty, they fall in love at first sight, and Wei Yangsheng is later married into the Tie's family. Yuxiang is elegant and courteous under the influence of her father's faith, though her lack of passion cannot fully satisfy Wei Yangsheng's sexual needs. His disappointment is no less than his affection for her.
Movie Reviews :
A review of the world's first 3D Chinese-language erotic film, we believe, is simply extraneous- after all, you've probably already decided on this basis alone whether or not you're going to watch this movie.
Of course, story is probably the least of the reasons why their audience has opted to see this film, so Shiu, who co-wrote the screenplay with his son Stephen Shiu Jr and Mark Yu, keeps it simple, in fact perhaps a little too simplistic.
One can pretty much guess how the rest of the girls were auditioned for this film, but we wouldn't expect less from a film like this.
There is a generous amount of nudity in the film, restricted however to boobs, bums and the brief shots of Yangsheng's incompetent penis.
Sun's film doesn't forget its purpose to titillate, and so at least on a visceral level, you can be assured that you will leave satisfied.
At the start, it adopts the same playful attitude as the original film, with Yangsheng's unaccomplished sex life as well as his desperate attempts to improve his endowment played up for exaggerated laughs.
There will be those who will criticise it for objectifying the female sex, but then they are probably not the audience this film is meant for.
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